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Canadian
soprano Gillian Keith, winner of the Kathleen Ferrier Award in
2000, studied at McGill University in Montréal and at the
Royal Academy of Music in London. She appears frequently with
many leading orchestras including the Academy of Ancient
Music, Orchestra of the Age of Enlightenment and English
Baroque Soloists. Recent appearances include Britten’s Les
Illuminations with the Northern Sinfonia, Handel’s
Deborah with the Tafelmusik Baroque Orchestra, Bach’s
St Matthew Passion with King’s Consort, Mozart’s Mass
in C minor with The Sixteen, Bach solo cantatas with City
of Birmingham Symphony Orchestra/Nicholas McGegan, Messiah
with Royal Liverpool Philharmonic Orchestra/Stephen
Layton, Bach Magnificat with the Iceland Symphony
Orchestra/Robert King, John Tavener’s Schuon Lieder
with the Schubert Ensemble, Silete Venti and
Hercules at the Handel in Oxford Festival and she
performed a recently discovered aria by Bach in the 2005
London Bach Festival. Her recordings include Debussy: Early
Songs for Deux-Elles, Purcell The Tempest for Naxos,
Handel Gloria with John Eliot Gardiner for Philips and
Bach Cantatas for Gardiner on his recently-launched label Soli
Deo Gloria.
Operatic
roles include Nannetta Falstaff (English National
Opera), Dew Fairy Hansel and Gretel (BBC Proms), Iole
Hercules and Silvia in Mozart’s Ascanio in Alba
(Buxton Festival), Poppea (Theater Basel), Woodbird
Siegfried, Papagena Magic Flute and Amor Orfeo
ed Euridice (all for Scottish Opera). She has sung
Soprano Solo in Deborah Warner’s staging of Bach’s St John
Passion for ENO, Bellezza in Handel’s Triumph of Time
and Truth for Almeida Opera and Diana La Calisto
for Toronto Consort.
This season’s
and future commitments include Zerbinetta Ariadne auf Naxos
at Covent Garden, Ginevre Ariodante in Halle,
Handel’s Messiah in Calgary, Madrid and with the
Northern Sinfonia, Mahler 8
with the RPO, Bach Wedding Cantatas with Tafelmusik,
Mozart with the Iceland Symphony Orchestra, Tytania in
Britten’s A Midsummer Night’s Dream with Richard Hickox
at the Royal Opera House’s Linbury Theatre Covent Garden,
Diana The Assassin Tree for ROH2 and at the Edinburgh
Festival, Purcell’s King Arthur at English National
Opera and in San Francisco, Elmira Croesus with Opera
North, Tiny Paul Bunyon at the Bregenz Festival and
Florentiner Intermedien in Saarbrücken.
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